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Sean O’Harra’s appliance ability be anew constructed, but there’s annihilation “new” about it.

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Walking through his workshop, a alveolate barn amplitude on Reisterstown Road, O’Harra credibility to an astronomic allotment of wood, a array of a maple timberline trunk.

“That is a tabletop,” he explains. “It came out of a backyard in Mount Washington and migrated to me.” The copse is affluent brown, with arresting atom and an intricate, about lacy, edge.

It fabricated its way to O’Harra via accompany and accompany of accompany who knew he would acknowledge it. He’ll brace the copse with a metal base, acclimation the maple’s amoebic adorableness with the air-conditioned change of metal.

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A allotment of copse alarming a allotment of appliance is the account abaft abounding of O’Harra’s works. And that bond — nature-meets-industrial — is his signature aesthetic.

That attending has fatigued the eye of tastemakers about Baltimore and beyond. Ben Homola, who owns the all-embracing bazaar Trohv with his, wife Carmen Brock, sells O’Harra’s tables, benches and sculptural metal bowls at the shop’s Hampden and Takoma Park locations.

“I like that he’s bounded and uses reclaimed wood,” says Homola. “I anticipate there’s article absolutely accustomed about his aesthetic. He’s an amazing metalworker. He uses reclaimed abstracts that are generally appealing asperous and rustic-looking, but with the tables he does a acceptable job of accumulation an aboriginal modern, apple-pie aesthetic.”

A table in Trohv’s Takoma Park area bent the eye of Kelly Gotthardt, the commodity administrator outfitting a new boutique at the National Archives architecture in Washington.

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She was aloof pieces for the new 4,000-square-foot store, which is scehduled to accessible aural the abutting month. “We absitively we capital to accept a area featuring American artisans,” she explains. “It’s in befitting with our annal from the WPA. We capital bounded artisan-made tables.”

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At Trohv, she spotted some of O’Harra’s reclaimed wood-and-metal pieces, chief they would be a abundant fit for the shop. They didn’t fit the admeasurement specifications, so O’Harra created two custom tables, for commodity display, and one bench.

“We’re captivated to bits,” Gotthardt says. “Sean’s tables accept this balmy activity of salvaged wood, but they’re additionally contemporary. It’s a nice mix.”

O’Harra comes by his acknowledgment for architecture (and reusing materials) naturally. As a adolescent in Bethesda, his next-door acquaintance corrective cars for a living. When O’Harra was about 15, his mother got him a Ford Mustang. Drawing on the admonition of his neighbor, O’Harra adequate the car himself, giving him his “first taste” of alive with metal and earlier materials.

After aerial school, O’Harra confused to Baltimore to abstraction carve at the Maryland Institute College of Art. At MICA, he frequented places like the Loading Dock, foraging for salvaged items to use in his work. O’Harra still searches the city’s bear shops and old barrio for absorbing materials.

O’Harra turns to reclaimed abstracts for artful reasons, but he additionally ethics the “green” aspect of reuse. “Most of the actuality I do uses recycled materials,” he says. “And best of my accouterment is recycled.” That includes a 100-year-old bandage saw he begin online.

“I accept a barter that runs on vegetable oil, and I bear a lot of stuff, so there’s not abundant of a brand on this furniture. Everything’s local.”

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Homola appreciates that ecology consciousness: “He uses the reclaimed, vintage, repurposed automated abstracts — that’s as blooming as you can get. And he makes absolutely abiding appurtenances from those materials.”

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O’Harra’s roots as a sculptor are anon apparent in his work, abnormally in his adroit metal bowls and the bases he creates for tables and benches. Those bases alter from angular and architectural to ample and organic.

“I goT into authoritative appliance with carve in mind,” O’Harra says. “When I aboriginal started, I was added absorbed in the shapes than the function. But my assignment has become added anatomic over the years,” answer that admitting his pieces comedy a applied role in the home, they’re additionally pieces of art.

After admission from MICA in 1992, O’Harra confused to Richmond to abstraction appliance architecture at Virginia Commonwealth University. Then he arranged up and confused beyond the country to assignment in the blur industry in Los Angeles, as a set dresser, in appropriate furnishings and as a grip.

About 11 years ago, O’Harra confused aback to Baltimore, afterwards a abrupt break in upstate New York. Here, he continues his assignment in blur — he has formed on movies like “Wedding Crashers” and “Body of Lies.” But in the future, he hopes to absorb added time in his workshop.

Kin Ellentuck, a assembly artist O’Harra met while alive on an adventure of “West Wing,” describes his process: “Sean is actual tactile. When you see him working, there’s a lot of account for the way things feel, the way he can cast them, the way he can account the material.”

She praises O’Harra’s compassionate of the abstracts he uses to create. “If it’s an old actuality — if it came from an old architecture and has a history — he tries to advance that history and the ancestry of the material, but additionally accomplish it his own sculpture,” she says. “He doesn’t abolish the history.”

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Sean O’Harra

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Background: Sean O’Harra, a Bethesda built-in who has lived in Baltimore for over a decade, works with reclaimed copse and metal to actualize appliance and home accessories.

Education: O’Harra advised carve at Maryland Institute College of Art and appliance architecture at Virginia Commonwealth University.

Inspiration: O’Harra’s pieces amalgamate the amoebic feel of accustomed copse with the automated bend of metal. “My afflatus comes a lot from nature,” he says. “But all my pieces are different. Some are architectural, some a little organic.”

Where to buy: In Baltimore, O’Harra’s pieces are accessible at Trohv in Hampden (921 W. 36th Street; 410-366-3456). His assignment is additionally accessible at Trohv in Takoma Park (232 Carroll St. 202-829-2941) and will be displayed in the new boutique at the National Archives (800 Constitution Ave. N.W., Washington; 202-357-5271). O’Harra additionally creates custom pieces and sells anon to barter or to the trade.

How to contact: Visit mossunltd.com or email Sean O’Harra at sean@mossunltd.com

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